Masters thesis
1. What Is The Topic Of Your Expository Essay? How Will You Focus The Topic?
Tuesday, August 25, 2020
Clair de Lune by Claude Debussy free essay sample
Music is an amazing thing. It can work up feelings, take you back to a particular second in time, or help you to remember something going on in your life right now. For the most part this is a direct result of the verses, and the tune or the singerââ¬â¢s voice is only a pleasant expansion. Yet, I figure music without verses can be similarly as amazing, here and there considerably more so. Old style music is pretty underestimated among individuals my age. As a matter of fact, itââ¬â¢s lovely underestimated all in all. Normally except if an individual plays an instrument, or was raised with traditional music, they donââ¬â¢t know or care much about it. Numerous bits of old style music give such rich, wonderful pieces, that they ought to be considered a gem. In the least complex words, thatââ¬â¢s what really extraordinary old style music is: a gem. Clair de Lune is one of those pieces. Itââ¬â¢s brimming with rich, entangled harmonies, with a straightforward, yet lovely tune weaving everything together. We will compose a custom article test on Clair de Lune by Claude Debussy or then again any comparative point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page I love Debussy as a rule; I consider all music is quite splendid, and itââ¬â¢s a portion of the better old style music out there. Be that as it may, Clair de Lune stands apart for me, and Iââ¬â¢m not the only one in deduction this. Itââ¬â¢s been thought of as an interminable piece among music for some, numerous years. What's more, thereââ¬â¢s a purpose behind that, it blows my mind almost every time I plunk down and genuinely hear it out. Iââ¬â¢ve consistently thought Clair de Lune was a lovely piece, since the time I heard it just because numerous years back. In any case, it wasnââ¬â¢t until I began to learn it that I understood exactly how astounding it is. The piece begins straightforward, with the calm harmonies appearing to be serene and soothing. As the piece goes on, pressure begins to develop, with the harmonies getting stronger and stronger, and the song getting increasingly dire, before stepping back. It progresses forward, developing, and afterward stepping back, until it goes to a last peak. The remainder of the piece is the end, and itââ¬â¢s pretty much the most wonderful thing Iââ¬â¢ve ever heard. After the peak, it chills out gradually, until you arrive at the first song, with two or three turns tossed in. From that point until the end, the piece gets calmer, gentler, before arriving at the last arpeggio of the piece, leaving you feeling serene and loose. On of the things that makes Clair de Lune such an incredible piece is the absence of words. Verses can summon forceful feelings, yet theyââ¬â¢re additionally quite certain. Clair de Lune can be utilized considerably more unreservedly, it can help different individuals to remember altogether different things. Clair de Lune implies ââ¬Ëlight of the moonââ¬â¢, and that appears to be a fitting title to me. Itââ¬â¢s light and breezy, yet baffling, with darker, increasingly complex harmonies moving underneath the fundamental song. It can appear to be dismal, yet likewise triumphant. It very well may be mitigating and quieting, yet can likewise be violent and enthusiastic. Clair de Lune can be utilized in a wide range of arrangements, and delighted in every one of them. It very well may be played in an incredible show lobby, and appear as though the most delightful piece at any point created. It very well may be utilized as music to move to; it tends to be assembled with cuts from a film or TV sharing time a story through that. Or on the other hand you can basically put on your earphones, sit back in your seat, wrench up the volume and simply tune in. The manner in which you decide to appreciate it, Clair de Lune is an immortal piece that will be delighted in for some ages to come.
Saturday, August 22, 2020
The disscussion of the conceptual framework Essay
The disscussion of the reasonable system - Essay Example The IASBââ¬â¢s fundamental job is to help global clients to plan a universal system for the planning and introduction of budgetary report, a job that has throughout the years confronted significant analysis because of the shortcomings in the goals and the ideas that it depends on. The Framework is created to address the crucial purpose behind the nearness of the budget summaries, which is to give valuable money related data about the announcing substance to all the related gatherings (financial specialists, moneylenders, different loan bosses) for settling on choices about giving assets to the element. The substance of the Framework are focal around the five components from which budget summaries are built. This paper targets distinguishing and talking about the execution of the IASBââ¬â¢s reasonable structure dependent on its hands-on goals for the most part that of giving a premise to regulatory standard-setting and settling bookkeeping discussions in consideration framework to the bookkeeping ideas, standards and core interest. The paper is composed into three areas; the main segment clarifies the ideas, goals and focal point of the IASBââ¬â¢s reasonable structure, the subsequent segment depicts the shortcomings and the premise of the analysis confronting the IASB system while the third segment is a determination, rundown and a conversation of the analysis confronting the current IASBââ¬â¢s conversation paper. As expressed, the IASBââ¬â¢s structure sets ideas that shape how budget summaries are arranged and introduced for outer clients. The IASB system needs bookkeeping standard status in contrast with the announcement of standards got from the United Kingdom Accounting Standards Board (ASB). The IASB system contains seven fragments that spread territories, for example, goals of money related announcing, the basic suspicions, Qualitative highlights of monetary data, the crucial guidelines of budgetary
Why Do People Wrongfully Confess To Crimes?
For what reason Do People Wrongfully Confess To Crimes? Bogus admission and self-implicating induction made to the police by honest presumes which is unmistakably against their personal responsibility is typically a mix of variables which are related with different conditions and nature of the custodial cross examination, the speculates character factors and mental vulnerabilities. What is more there are not kidding result that follow from admission and this likewise applies to the instance of bogus admission. The investigation from the United States shows that around half of the admissions which in the long run were built up to be bogus prompted criminal conviction (Howitt, 2006). An admission, characterized as a composed or oral articulation recognizing blame, in criminal law is an extremely ground-breaking type of proof an overwhelming affirmation of blame. While most admissions are valid, a few people have been known to admit to a wrongdoing they didn't submit. As indicated by Kassin (2008 refered to in Hewstone, 2005), 20 to 25% of all DNA exemptions include honest detainees who admitted. Among a large number of the investigations of Gudjonsson (2003) and The Innocent Project, an extensive rundown of cases is given in which individuals have been detained for a significant stretch or even executed based on bogus admission. In the United Kingdom these incorporate the instances of the Guildford Four and Birmingham Six, two cases from the mid 1970s in which honest individuals got a long jail sentence dependent on the proof that included bogus admission. Be that as it may, the explanation or question of why individuals make bogus admissions is all the more a me ntal issue which as per Hewston (2005) can be broken into two sorts of admission; willful ( which happens without any undeniable outside weight ) and forced. Besides forced bogus admission can be separated into two sub-types: constrained consistent (in which an individual admits so as to escape from an unpleasant circumstance) and pressured disguised bogus confession(confession where the individual gets persuaded, in any event temporarily, that she or he committed the wrongdoing). Hundreds of years prior, an admission was treated as a conviction Conti (1999). So as to get the admission, the utilization of physical torment was normal, and all admissions were routinely unveiled into proof undeniably. Be that as it may, gradually throughout the hundreds of years, the demonstration of admission in the lawful framework transformed from the acquiring of admission by physical torment, in the mid 1700s, to thoroughly barring pressured admission by the mid to late 1800s. By the nineteenth century, the courts were suspicious everything being equal and would in general excuse them if flawed Conti (1999) . As per Munsterberg (1908 refered to in Gudjonsson, 2003) the chief reason for bogus admission is passionate stun which distorts people groups memory, particularly during the police cross examination. Besides psychoanalyst and criminologist Theodor Reik (1959 refered to in Conti, 1999), contend that the way toward offering a bogus expressions begins from the oblivious enthusiastic need to admit. He contends that if instinctual driving forces taking a stab at articulation are rejected or denounced by the outer world, the still weak sense of self can oversee just to communicate them as admission. Consequently, the tendency to admit is a changed inclination for the statement of the drives. Be that as it may, scientists, for example, (Ofshe, 1991; Zimbardo, 1967 refered to in Gudjonsson,2003; Conti, 1999, Hewstone, 2005) guarantee that the bogus admission is a result of police inadequacy and vindictiveness. The essential point of the scrutinizing of suspects by the police is to acquire an admission from them or to pick up data which might be pertinent to prompt a conviction. Subsequently skilful cross examination requires the utilization of mental standards and ideas. Experienced police addressing utilizes an assortment of strategies and procedures. As an outcome, so as to get admissions from suspects, police cross examiners may utilize untruths and a few types of trickiness. For instance telling the presumes that they have proof connecting them to the wrongdoing when in actuality no such proof exists. Drastically talking there are a variety of mental reasons why individuals do admit to violations they didn't submit. In light of this, Kassin and Wrightsman (1985 refered to in Gudjonsson, 2003, Howitt, 2005, Conti, 1999) demonstrate three diverse mental kinds of bogus admission: willful, constrained agreeable and the forced consistent bogus admission. A deliberate bogus admission happens for a situation, when a person without any undeniable outer weight introduces themselves to the police and admits to a wrongdoing they didn't submit. In doing so individuals report themselves, asserting that they are the culprits in the wake of having seen the report of an occasion on TV or read about it in the press. There might be a few purposes behind this as indicated by Kassin and Wrightsman(1985 refered to in Gudjonsson, 2003; Howitt, 2005; Conti, 1999; Hewston, 2005 ): Firstly the obsessive want to pick up acclaim, which from the mental point of view would be viewed as the need to expand ones confidence regardless of whether it implies confronting the expense of detainment. For instance Kassin and Wrightsman utilize the way that more than 200 individuals erroneously admitted to the well known Lindbergh hijacking because of a longing for acknowledgment (Charles Lindbergh an American legend who was the primary individual to fly over the Atlan tic Ocean alone, On first March 1939 his previously conceived child was abducted for recover and later discovered dead. In spite of the fact that the presume was found and later sentenced and executed for the wrongdoing, questions about his blame have endured around the case for quite a long time as an outcome of the huge number of others who admitted to the wrongdoing so as to get acknowledgment and acclaim). Also looking to mitigate the blame, which frequently happens in discouraged individuals (the individual may feel coerce about past occasions throughout their life , and accept that they have the right to be rebuffed). There is powerlessness to recognize actuality from dream, as it were they can't recognized genuine occasion and occasions which get from their creative mind. This kind of conduct is regularly connected with disarranges, for example, schizophrenia. Besides they accept that it is beyond the realm of imagination to expect to demonstrate their own guiltlessness, and in this manner the admission to the wrongdoing is to alleviate the discipline. Just as a craving to ensure the genuine crooks and the longing to disguise another, increasingly genuine offense or offenses. Constrained consistent bogus admission, in other word constrained admission, is the consequence of weight applied during cross examinations. For this situation the potential suspect doesn't admit deliberate yet admits to it so as to evade the troublesome and distressing circumstance. As indicated by Vennard, (1984 refered to in Hewston, 2005) this occurs for a few distinct reasons, for example, the suspect may wish to satisfy the cross examiner, maintain a strategic distance from further confinement and cross examination, keep away from physical damage( genuine or envisioned) or hit an arrangement with the investigative specialist that brings some prize for making an admission. What is more the suspect is completely mindful of the outcomes emerging from making a self-implicating admission , yet gullibly accepts that by one way or another reality will come out later or that their safeguard attorney will have the option to address their bogus admission (Gudjonsson, 1993) The third sort of bogus admission is constrained - disguise. As it were authorized, disguised admission. This is the place the presume starts to accept that he carried out the supposed offense, despite the fact that he doesn't have any genuine memory of having perpetrated the wrongdoing. As indicated by Kassin, (1997 refered to in Gudjonsson, 2003) this sort of bogus admission is related with two sorts of variables. Right off the bat the powerlessness of the speculate, for example, suggestibility, low knowledge, liquor and medication use, age and stress. Furthermore the introduction of bogus proof by police, for example, controlled polygraph or other measurable tests, for example, fingerprints or bloodstains, declaration hypothetically made by an assistant, or a showy onlooker ID, as an approach to persuade the presume that they are liable. As of not long ago, there was no experimental proof for the idea of constrained disguised bogus admissions. In any case, observer memory scientis ts have discovered that deceptive post-occasion data can adjust genuine or revealed recollections of watched occasions (Cutler Penrod, 1995; Loftus, 1979; Loftus Ketcham, 1994 refered to in Conti, 1999). Moreover contemporary examinations recommend that it is even conceivable to embed bogus memories of unrepeated encounters from adolescence, for example, being lost in a shopping center, that hypothetically had been overlooked, however actually never occurred (Loftus Ketcham, 1994). What is more Kassin and Kiechel (1996 refered to in Gudjonsson, 2003, Howitt, 2005, Conti, 1999) have exhibited in a research facility analyze that bogus proof introduced to the blameless suspect can lead them to acknowledge blame for a wrongdoing they didn't submit. In their investigations Kassin and Kiechel welcomed 75 understudies to take part in what was presented as a PC task. It was underscored that during the undertaking, they ought not hit the ALT-key. After around one moment, the PC probably smas hed and the experimenter blamed members for having squeezed the illegal ALT-key which all denied doing. At this stage the bogus proof was presented for certain members. In their investigation, Kassin and Kiechel (1996 refered to in Gudjonsson, 2003, Howitt, 2005, Conti, 1999) found that 69% of them were eager to sign a bogus admission, 28% disguised blame, and 9% confabulated subtleties to help their deceptions. As results the investigations show that bogus admissions can be effortlessly evoked. Moreover as indicated by Costanzo, Krauss and Pezdek, (2006) there are a few different realities which may prompt bogus admission. These realities as a rule include adolescents huge numbers of the notable instances of bogus confes
Friday, August 21, 2020
Manufacturing and Surface Processing Operation Free Essays
The American University in Cairo School of Sciences and Engineering Department of Mechanical Engineering MENG 339: Fundamentals of Manufacturing Processes ____________________________________________________________ _________ Sol. Assigt # 1 Manufacturing Overview Review Questions 1. What are the contrasts between essential, auxiliary and tertiary ventures? Give a case of every classification. We will compose a custom paper test on Assembling and Surface Processing Operation or on the other hand any comparable subject just for you Request Now Answer. An essential industry is one that develops and abuses normal assets, for example, farming or mining.A auxiliary industry takes the yields of essential ventures and changes over them to shopper and capital merchandise. Instances of optional ventures are materials and gadgets. A tertiary industry is in the administration segment of the economy. Instances of tertiary ventures are banking and instruction. ____________________________________________________________ _________ 2. How are item assortment and creation amount related when looking at commonplace industrial facilities? Answer. For the most part creation amount is conversely identified with item variety.A manufacturing plant that delivers a huge assortment of items will deliver a littler amount of each. An organization that creates a solitary item will deliver a huge amount. ____________________________________________________________ _________ 3. Characterize fabricating capacity. Answer. Assembling ability alludes to the specialized and physical constraints of an assembling firm and every one of its plants. Three classes of ability incorporate mechanical handling ability, physical size and weight, and creation limit. ___________________________________________________________ _________ 4. How does a forming procedure contrast from a surface handling activity? Answer. A forming procedure changes the geometry of the work material (machining or manufacturing). A surface preparing activity doesn't adjust the geometry, yet rather modifies the properties and additionally appearance of the outside of the work (painting or plating) ____________________________________________________________ _________ 5. What is the contrast between a procedure format and an item design in a creation facility?Answer. A procedure format is one where the hardware in a plant is masterminded dependent on the kind of procedure it performs. To deliver an item it must visit the offices in the request for the activities that must be performed. This frequently incorporates huge travel separates inside the plant. A procedure design is frequently utilized when the item assortment is enormous the activity successions of items are different. An item format is one where the hardware is organized dependent on the general progression of the items that will be produced.Travel separation is decreased in light of the fact that items will for the most part stream to the following machine in the arrangement. An item format functions admirably when all items will in general follow a similar arrangement of creation. ____________________________________________________________ _________ Multiple Choice Quiz 1. Which of the accompanying businesses are named auxiliary ventures (three right answers): (a) drinks (b) monetary administrations, (c) angling, (d) mining, (e) power utilities, (f) distributing, and (g) transportation? Answer. (an), (e), and (f). ___________________________________________________________ _________ 2. Developments of the Industrial Revolution incorporate which one of the accompanying: (a) vehicle, (b) gun, (c) print machine, (d) steam motor, or (e) blade? Answer. (d). ____________________________________________________________ _________ 3. Ferrous metals incorporate which of the accompanying (two right answers): (an) aluminum, (b) cast iron, (c) copper, (d) gold, and (e) steel? Answer. (c) and (e). ____________________________________________________________ _________ 4.Which one of coming up next is a machine used to perform expulsion: (a) fashion hammer, (b) processing machine, (c) moving factory, (d) press, (e) burn? Answer. (d). ____________________________________________________________ _________ 5. A creation arranging and control office achieves which of the accompanying capacities in its job of giving assembling support (two most appropriate answers): (a) structures and requests machine instruments, (b) creates corporate key plans, (c) orders materials and bought parts, (d) performs quality examinations, and (e) plans the request for items on a machine? Answer. (c) and (e). Instructions to refer to Manufacturing and Surface Processing Operation, Papers
Saturday, August 8, 2020
The mother Giraffe makes her child Suffer
The mother Giraffe makes her child Suffer The mother giraffe gives birth standing up, so the first thing that happens to a new-born giraffe is a fall of about two metres.Still dazed, the baby tries to stand up on its four legs, but its mother behaves very strangely: she gives the baby giraffe a gentle kick which sends it sprawling. It tries to get up and is again knocked down.This process is repeated several times, until the new-born giraffe is too exhausted to stand. At that point, the mother kicks it again, forcing it to get to its feet. After that, she does not push the baby giraffe over again. The explanation is simple: in order to survive predators, the first lesson a giraffe must learn is to get to its feet quickly.The motherâs apparent cruelty finds support in an Arabic proverb: Sometimes, in order to teach something good, you have to be a little rough.By Paulo Coelho
Sunday, June 28, 2020
Photo Stabilization Of Pyrethrum Flower Extracts Using Clay - 44000 Words
Studies On Photo Stabilization Of Pyrethrum Flower Extracts Using Clay (Dissertation Sample) Content: STUDIES ON PHOTO STABILIZATION OF PYRETHRUM FLOWER EXTRACTS USING CLAYESTHER WAMAITHA MAINAMASTER OF SCIENCE(Chemistry)JOMO KENYATTA UNIVERSITY OFAGRICULTURE AND TECHNOLOGY2016Studies on Photo Stabilization of Pyrethrum Flower Extracts using ClayEsther Wamaitha Maina A Thesis Submitted in Partial Fulfillment for the Degree of Master of Science in Chemistry in the Jomo Kenyatta university of Agriculture and Technology2016DECLARATIONThis thesis is my original work and has not been presented for a degree in any other university. Signature DateMaina Esther WamaithaThis thesis has been submitted for examination with our approval as university supervisors.Signature DateDr. Harrison N. WanyikaJKUAT, KenyaSignature DateProf. Anthony GachanjaJKUAT, Kenya. DEDICATIONThis work is dedicated to my family. Special dedication to my dad, Gidraph Maina, mum, Priscillah Maina, sister, Carol Maina and to my husband and a great friend Paul Waweru for th eir love and spiritual advice to my life. ACKNOWLEDGEMENTSFirst, I thank Almighty God for His many blessings He has granted me. I would also like to express my deep thanks and great appreciation to my supervisors; Dr. Harrison Wanyika and Prof. Anthony Gachanja for their advice, continuous help, support and encouragement throughout the research period. I would also like to thank NACOSTI for funding the research and the Department of Chemistry, JKUAT for their support in form of facilities and laboratory space.I would never be able to thank enough my family for the unconditional love and support that they have always shown me. I owe them my most sincere and deep gratitude. Lastly, and not the least my gratitude goes to my fellow graduate students who worked with me on the bench for all the support, care and positive criticism. TABLE OF CONTENTS TOC \o "1-5" \h \z \u HYPERLINK \l "_Toc456701503" DECLARATION PAGEREF _Toc456701503 \h ii HYPERLINK \l "_Toc456701514" DEDICA TION PAGEREF _Toc456701514 \h iii HYPERLINK \l "_Toc456701516" ACKNOWLEDGEMENTS PAGEREF _Toc456701516 \h iv HYPERLINK \l "_Toc456701521" TABLE OF CONTENTS PAGEREF _Toc456701521 \h v HYPERLINK \l "_Toc456701522" LIST OF TABLES PAGEREF _Toc456701522 \h ix HYPERLINK \l "_Toc456701533" LIST OF FIGURES PAGEREF _Toc456701533 \h x HYPERLINK \l "_Toc456701559" LIST OF SYMBOLS PAGEREF _Toc456701559 \h xii HYPERLINK \l "_Toc456701582" LIST OF ABBREVIATIONS AND ACRONYMS PAGEREF _Toc456701582 \h xiv HYPERLINK \l "_Toc456701594" ABSTRACT PAGEREF _Toc456701594 \h xv HYPERLINK \l "_Toc456701596" CHAPTER ONE PAGEREF _Toc456701596 \h 1 HYPERLINK \l "_Toc456701597" INTRODUCTION AND LITERATURE REVIEW PAGEREF _Toc456701597 \h 1 HYPERLINK \l "_Toc456701598" 1.1 Background of the study PAGEREF _Toc456701598 \h 1 HYPERLINK \l "_Toc456701605" 1.2 Pyrethrum flower PAGEREF _Toc456701605 \h 3 HYPERLINK \l "_Toc456701608" 1.3 Clay materials PAGEREF _Toc456701608 \h 4 HYPERLINK \l "_Toc456701612" 1.4 Organo clays synthesis and their applications PAGEREF _Toc456701612 \h 5 HYPERLINK \l "_Toc456701629" 1.5 Cation exchange capacity PAGEREF _Toc456701629 \h 6 HYPERLINK \l "_Toc456701631" 1.6 Characterization of clays PAGEREF _Toc456701631 \h 7 HYPERLINK \l "_Toc456701633" 1.6.1 Fourier transform infrared (FT-IR) Spectroscopy PAGEREF _Toc456701633 \h 7 HYPERLINK \l "_Toc456701636" 1.6.2 X-ray diffractometry PAGEREF _Toc456701636 \h 8 HYPERLINK \l "_Toc456701643" 1.6.3 X-Ray Florescence PAGEREF _Toc456701643 \h 9 HYPERLINK \l "_Toc456701645" 1.7 Adsorption isotherms PAGEREF _Toc456701645 \h 9 HYPERLINK \l "_Toc456701651" 1.7.1 Kinetic models of sorption PAGEREF _Toc456701651 \h 10 HYPERLINK \l "_Toc456701657" 1.8 Storage of cereals PAGEREF _Toc456701657 \h 11 HYPERLINK \l "_Toc456701661" 1.9 Botanica l control of Cereals PAGEREF _Toc456701661 \h 12 HYPERLINK \l "_Toc456701663" 1.10 Statement of the problem PAGEREF _Toc456701663 \h 12 HYPERLINK \l "_Toc456701665" 1.11 Justification PAGEREF _Toc456701665 \h 12 HYPERLINK \l "_Toc456701667" 1.12 Hypothesis PAGEREF _Toc456701667 \h 13 HYPERLINK \l "_Toc456701669" 1.13 Objectives PAGEREF _Toc456701669 \h 13 HYPERLINK \l "_Toc456701670" 1.13.1 General Objective PAGEREF _Toc456701670 \h 13 HYPERLINK \l "_Toc456701672" 1.13.2 Specific objectives PAGEREF _Toc456701672 \h 13 HYPERLINK \l "_Toc456701677" 1.14 Significance of the study PAGEREF _Toc456701677 \h 13 HYPERLINK \l "_Toc456701679" 1.15 Scope and Limitations PAGEREF _Toc456701679 \h 14 HYPERLINK \l "_Toc456701681" CHAPTER TWO PAGEREF _Toc456701681 \h 15 HYPERLINK \l "_Toc456701682" MATERIALS AND METHODS PAGEREF _Toc456701682 \h 15 HYPERLINK \l "_Toc456701683" 2.1 Research designs PA GEREF _Toc456701683 \h 15 HYPERLINK \l "_Toc456701685" 2.2 Solvents and reagents PAGEREF _Toc456701685 \h 15 HYPERLINK \l "_Toc456701687" 2.3 Preparation of standards PAGEREF _Toc456701687 \h 15 HYPERLINK \l "_Toc456701689" 2.4 Collection of clay samples and pretreatment PAGEREF _Toc456701689 \h 15 HYPERLINK \l "_Toc456701694" 2.5 Isolation ofclays PAGEREF _Toc456701694 \h 17 HYPERLINK \l "_Toc456701696" 2.6 Characterization of the clays PAGEREF _Toc456701696 \h 17 HYPERLINK \l "_Toc456701697" 2.6.1 Elemental analysis using total x-ray fluorescence spectrometry (TXRF) PAGEREF _Toc456701697 \h 17 HYPERLINK \l "_Toc456701701" 2.6.2 Determination of basal spacing and crystallite size PAGEREF _Toc456701701 \h 18 HYPERLINK \l "_Toc456701706" 2.6.3 Determination of cation exchange capacity(CEC) of clay PAGEREF _Toc456701706 \h 19 HYPERLINK \l "_Toc456701709" 2.6.4 Functional groups determination using fourier t ransform-infrared (FT-IR) spectroscopy PAGEREF _Toc456701709 \h 20 HYPERLINK \l "_Toc456701711" 2.6.5 UV-Visible spectrophotometry for determination of transitional groups PAGEREF _Toc456701711 \h 20 HYPERLINK \l "_Toc456701714" 2.7 Preparation of organo clay PAGEREF _Toc456701714 \h 21 HYPERLINK \l "_Toc456701717" 2.8 Determination of sorption kinetics of PFE into clay materials PAGEREF _Toc456701717 \h 22 HYPERLINK \l "_Toc456701725" 2.8.1 Determination of pH PAGEREF _Toc456701725 \h 22 HYPERLINK \l "_Toc456701727" 2.8.2 Effect of temperature PAGEREF _Toc456701727 \h 23 HYPERLINK \l "_Toc456701729" 2.8.3 Determination of initial concentration and contact time PAGEREF _Toc456701729 \h 23 HYPERLINK \l "_Toc456701731" 2.8.4 Effect of sorbent dosage PAGEREF _Toc456701731 \h 23 HYPERLINK \l "_Toc456701733" 2.9 Loading of PFE into clay materials PAGEREF _Toc456701733 \h 24 HYPERLINK \l "_Toc456701735" 2.10 Accelerated photo stability test PAGEREF _Toc456701735 \h 24 HYPERLINK \l "_Toc456701738" 2.11 Bioassay tests on maize weevils using clay samples PAGEREF _Toc456701738 \h 25 HYPERLINK \l "_Toc456701739" 2.11.1 Sitohilus zeamais motschulsky culture PAGEREF _Toc456701739 \h 25 HYPERLINK \l "_Toc456701741" 2.11.2 Bioassay PAGEREF _Toc456701741 \h 25 HYPERLINK \l "_Toc456701746" CHAPTER THREE PAGEREF _Toc456701746 \h 27 HYPERLINK \l "_Toc456701747" RESULTS AND DISCUSSION PAGEREF _Toc456701747 \h 27 HYPERLINK \l "_Toc456701748" 3.1 Purification of clays PAGEREF _Toc456701748 \h 27 HYPERLINK \l "_Toc456701752" 3.2 Characterization of the clays PAGEREF _Toc456701752 \h 28 HYPERLINK \l "_Toc456701754" 3.2.1 TXRF Elemental composition PAGEREF _Toc456701754 \h 28 HYPERLINK \l "_Toc456701783" 3.2.2 The FT-IR spectra of the clays PAGEREF _Toc456701783 \h 29 HYPERLINK \l "_Toc456701789" 3.2.3 UV-Visiblespec tra PAGEREF _Toc456701789 \h 31 HYPERLINK \l "_Toc456701793" 3.2.4The XRD Analysis PAGEREF _Toc456701793 \h 32 HYPERLINK \l "_Toc456701805" 3.2.5 CEC of the clays PAGEREF _Toc456701805 \h 35 HYPERLINK \l "_Toc456701841" 3.3 HDTMA and TMPA modified clays PAGEREF _Toc456701841 \h 37 HYPERLINK \l "_Toc456701843" 3.3.1 FT-IR spectra PAGEREF _Toc456701843 \h 37 HYPERLINK \l "_Toc456701846" 3.3.2 XRD Analysis PAGEREF _Toc456701846 \h 38 HYPERLINK \l "_Toc456701877" 3.4 PFE sorption kinetics PAGEREF _Toc456701877 \h 40 HYPERLINK \l "_Toc456701879" 3.4.1 The effect of pH PAGEREF _Toc456701879 \h 40 HYPERLINK \l "_Toc456701884" 3.4.2 Effect of temperature PAGEREF _Toc456701884 \h 41 HYPERLINK \l "_Toc456701888" 3.4.3 Effect of initial concentration and contact time PAGEREF _Toc456701888 \h 42 HYPERLINK \l "_Toc456701892" 3.4.4 Effect of adsorbent dose PAGEREF _Toc456701892 \h 44 HYPERLINK \l "_To c456701896" 3.4.5 Sorption isotherms PAGEREF _...
Saturday, May 23, 2020
Art and Aesthetics Essay example - 763 Words
As time and centuries pass simultaneously art evolves too. During the Greek ââ¬â Roman period in history art was a powerful medium and was used as a research instrument for studying the human body. The Greeks loved perfection, religion, and their government. These values were transferred to the Romans who adapted the Greek culture together with their swag. Later on by doing so, the mixture of both cultures came to be known as the ââ¬Å"classical civilizationâ⬠(The Greek Spirit pg. 99). The Greco-Roman style influenced many people specifically philosophers, pushed them to create theories that would explain, measure and declare what was art. Amongst these men we encounter the famous philosopher Plato and his ideal aesthetic when developing art.â⬠¦show more contentâ⬠¦When looking at Harings work you are able to see that indeed form, shape, and size is not essential, that perfection is not a necessity but that getting the message across is the new perfection, ââ¬Å"By expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message , Haring was able to attract a wide audience and assure the accessibility and staying power of his imageryâ⬠( Keith Haring Biography) Plato would have hated this artist for not caring about having knowledge of the medium he was using, for being so free and for not being limited. Modern people have lost a sense of perfection and accuracy in their work because the meaning of the artwork has overpowered its aesthetic surface beauty, this meaning that Platos aesthetic theories no longer limit and gear the modern artist towards perfection. Art is the recreation of something that already exists. Plato refers to this as imitating work when he says, ââ¬Å"Human makers envisage the human community according to the ideas of justice, the good, courage, temperance, and the beautiful. Within the state the various arts are practiced likewise as imitations of an external order of existenceâ⬠(Philosophies of Art and Beauty pg. 4) Plato talks about how human makers see the world according to certain ideas, which pushes them (while thinking this way) to create/practice art even though in the end they are still imitations ofShow MoreRelated Art and Aesthetics Essay1107 Words à |à 5 PagesArt and Aesthetics Art is usually referred to as the visual arts, where a piece of work is judged through the aesthetics in which it creates. However, art refers to all human endeavors, including the product of oneÃâââ¬â¢s creative impulse. In other words, art does not have to be innovative to be good. I believe art is the communication of an idea, be it visual, musical, communicative or other. Art is the interplay between the conscious and unconscious part of our being, between what is real and whatRead MoreThe Aesthetic Philosophy Of The Art World2215 Words à |à 9 PagesSince the turn of the 20th century at least one of the biggest questions the art world has had to ask is whether or not art has to be beautiful, the consensus from the trend setters has generally been no with many hailing the praises of artworks, a mere commoner such as myself would find distasteful. The aesthetic philosophy that sits at the core of this question and many others the art world is concerned with is whether or not beauty is capable of presenting the unpresentable. If not can the competingRead MoreVideo Art : The Aesthetics Of Narcissism904 Words à |à 4 Pagesââ¬Å"Video artâ⬠is a new genre, not to be confused with film, and not to be viewed as entirely separate from the medium of television, which dominates the viewing experience of video artworks. There is a relentless desire evoked in art critics and viewers alike to strictly define what exactly ââ¬Å"video artâ⬠is, and w hat it is doing. Video art serves as somewhat of a paradox, responding to these questions by merely turning them back on to the viewer themselves to further contemplate: what is video art? WhatRead MoreExplain The Aesthetic Definition Of Art. Is It Plausible?1961 Words à |à 8 Pages Explain the aesthetic definition of art. Is it plausible? Explain why, or why not, with specific reference to literature. The aesthetic definition of art describes art as a vehicle (Carroll, 1999) for aesthetic experience. Therefore art is only really an artwork if it triggers aesthetic responses and experiences for its audience. In other words, art is defined through aesthetics; and aesthetic experiences. There are a number of crucial elements which must be explained in order to accountRead MoreThe Conceptual Connection Between Art And Aesthetics2378 Words à |à 10 Pagesclaims his art is purely conceptual. What does this mean? Is he saying the work only exists as a conception, an idea? Can we therefore assume visual judgements have no relevance to his works ââ¬â or in that case the work of other Conceptual artists? Is he also saying that when the work is ââ¬â¢madeââ¬â¢ (by this I mean displayed to his laid out instructions) it has no visual base to educate and tell the concept or idea he wishes to be measured? Does he require his art work be considered to have no aesthetic reflectionRead MoreThe Role Of Art On The Aesthetic Education Of Man By Frederik Schiller1508 Words à |à 7 PagesThe role of art in human life has been studied by several philosophers throughout time. Frederik Schiller (1795-1805), in his ââ¬Å"Letters On the Aesthetic Education of Manâ⬠develops the theory of the drives to explain the fragmentation of the human being and places art in a reconciliatory role between manââ¬â¢s personal nature and the community. The present essay will discuss in s ome detail Schillerââ¬â¢s theory of the drives, placing the main focus on the role and importance of the play-drive in human lifeRead MoreDefinitions Of Aesthetics And Aesthetics1455 Words à |à 6 PagesDefining Aesthetics Aesthetics. A term based on the greek term aisthÃâtikos (sense of perception), with meanings being largely unchanged for centuries. The Merriam-Webster dictionary short definition of aesthetics is ââ¬Å"of or relating to beauty.â⬠This definition, while tidy and concise, does not leave a lot of room for interpretation, nor does it accurately represent the variety of ideas reflected in modern thoughts and methodologies regarding aesthetics. Some other definitions include: ââ¬Å"of, relatingRead MoreHow can Art be Defined1086 Words à |à 5 PagesThe search for a definition of Art has been subject of a complex philosophical reflection incorporated; however, within different thematics because the very idea of Art is changeable as it relies on the culture and the tradition of a particular epoch. Etymologically, the word Aesthetics derives from the Greek à isthesis, which means perception by the senses. It used to refer as the study of the world of perceptions as the doctrine aimed to discover the complexity of perceptive knowledge. In ancientRead More Aesthetics Essays938 Words à |à 4 PagesAesthetics Kant defined aesthetic as both, ââ¬Å"the analysis of taste and the analysis of sensible cognition or intuitionâ⬠. Aesthesis, means ââ¬Å"sensationâ⬠, the Greeks made a distinction between aesthesis autophues (natural sensation) and aesthesis epistemonike (acquired sensation). We may say that aesthetics is both the study of aesthetic objects and of the specific and subjective reactions of observers, readers, or audiences to the work of art. Aesthetics is necessarily interdisciplinary and mayRead MoreAesthetics Reflection On Art And The Philosophy Of Beauty1201 Words à |à 5 Pagesthat add a touch of serenity to our miserable existences called aesthetics. Aesthetics as an adjective is defined as concern with beauty of the appreciation of beauty. As a noun it means a set of principles underlying and guiding the work of a particular artist or artistic movement. The surrounding beauty that we take for continuous granted is significant towards our existence. In everyday interaction, we straddle the line between aesthetic judgement, where we appreciate any object, instead of a primarily
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